'In Udaan and in Lootera, the initial sensations that drove Vikramaditya Motwane to make those pictures never quite travelled beyond the walls that contained them.''Here, in Trapped, this sensations-strangled-by-the-walls feeling becomes the movie's real tune,' says Sreehari Nair. IMAGE: 'Trapped is the kind of movie that can get an audience high on its own "aesthetic purity," and its own "fine eye for themes lurking beneath the story".' The Face of Empathy, yes! The Face of Empathy, ... Rediff.com, 3 weeks ago
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